The Circle: Aerial Cinematography by Thomas C. Miller

Thomas C. Miller served as the Aerial Cinematographer for The Circle (2017), a techno-thriller starring Tom Hanks and Emma Watson. His work played a crucial role in shaping the film’s visual style, seamlessly blending real-world aerial cinematography with CGI enhancements to create the high-tech corporate landscape central to the story.

Utilizing his expertise in precision aerial cinematography, Miller captured choreographed sequences featuring the picture car, ensuring a smooth visual transition between aerial and ground-based action. These shots required meticulous coordination to align with the film’s dynamic storytelling, providing the filmmakers with essential footage for editing and visual effects integration. His ability to execute complex aerial movements helped enhance the realism and intensity of key scenes.

In addition to action sequences, Miller filmed critical plate shots of the fictional Circle headquarters, which were later augmented with CGI to create the imposing tech campus seen in the film. These carefully framed aerial shots served as the foundation for the visual effects team, allowing them to construct a futuristic yet believable setting. His work was instrumental in bringing the filmmakers' vision of a cutting-edge technology company to life.

Beyond the constructed world of The Circle, Miller’s cinematography also captured sweeping scenic views of San Francisco, establishing the city’s presence as a key backdrop for the story. His aerial footage highlighted iconic landmarks and expansive urban landscapes, grounding the film in a recognizable and visually stunning real-world environment.

Miller’s contributions to The Circle showcased his ability to blend technical precision with artistic storytelling, delivering visually compelling aerial sequences that elevated the film’s production value.